Volume 69, Number 1 · Fall 2019

The Snake

We thought it squashed, a spotty
                        tan tube on dusty
                        asphalt. Still
undulate of S –
“crushed by the grinding weight
of superstition” –
                        unspooled from
                        a sheltering bush
along the ditch, camouflaged,
noticed just in time.

In the distance, mountains
                        dipped in clouds.
                        Somewhere east
it rained. Staying me,
in “the natural order of things
unimaginably vast and complex,”
                        you stoned the snake.
                        Bad luck, I cried.
I didn’t know
I thought that, but felt it as stone

after stone whistled straight
                        on target,
                        understanding being
one of humans’ most austere
pleasures: Not killing, no,
nothing so absolute;
                        curiosity more like it,
                        the inexplicable having
occurred: at the last moment each stone
swerved eerily off in parabolic arcs,

as if freed from some terrible purpose
                        by an orb of protection
                        we couldn’t see
shielding the snake.
Anyway, you said, turning,
throwing a last shot, it’s dead.
                        But I was lured
                        to look back,
blink as stone veered,
snake braided and was gone.

 

 

 

n.b. Lines quoted and (in one case) paraphrased are drawn not quite randomly from The Swerve, by Stephen Greenblatt


Cynthia Hogue’s tenth poetry collection is instead, it is dark (Red Hen Press, 2023). Her ekphrastic Covid chapbook is entitled Contain (Tram Editions, 2022), and her new collaborative translation from the French of Nicole Brossard is Distantly (Omnidawn, 2022). Among her honors are a Fulbright Fellowship to Iceland, two NEA Fellowships, and the Landon Translation Award from the Academy of American Poets. She served as Guest Editor for Poem-a-Day for September (2022), sponsored by the Academy of American Poets. Hogue was the inaugural Marshall Chair in Modern and Contemporary Poetry at Arizona State University. She lives in Tucson.