Descent by Kathryn Stripling Byer

The Louisiana University Press recently debuted Kathryn Stripling Byer’s book of poetry titled, Descent.  Byer frequently contributes her work to Shenandoah.  David Huddle reviewed the book and wrote that,

“Byer’s work is to be cherished for its beauty, its courage, and the gift of its revelation.  Her poems shine a light that we yearn for here in the darkness of the first century.” 

The following poem from Descent, titled “Gone Again,” first appeared in Shenandoah.

“Gone Again”

I used to believe Scarlett would forever be

standing atop that small rise of Georgia clay

staring at Tara, intoning Tomorrow, Tomorrow,

that sad pace of syllables, the Old South

newly colorized, ready to hoodwink another generation

of belles.  But I won’t be among them,

no doddering old lady still telling of how

I remember my mother reciting her tales

of the premiere of Loew’s Grand theater,

all Atlanta agape at the glitterati.  No ma’am.

 

I have sat through that gorgeous monstrosity

five times in English and once in dubbed

Spanish.  Miss Scarlett does not anymore stir

me into a passion of Southernness.

 

Once I imagined myself limping home

with a worthless mule, nothing but rags

in a wagon, waiting for the moon to reveal

the house still standing , me weeping

into my muddy hands, having survived

such a journey and all for a lost cause.

 

I didn’t much like Scarlett after the war.

Standing there in the moonlight

was our shining moment, unfazed by

the real sounds of hound dogs

and katydids, down on the road

a horn playing “Dixie,” it’s drunk driver heading

back home to his fraternity house.

So frankly, my dear.

 

I don’t give a damn whether or not Scarlett’s

barbecue ball gown looks brand new

after sixty-two years. Scarlett makes me feel

tired – all those hours I waster, enraptured

by someone whose skin was sheer

celluloid, whose voice, when the reel came

loose, gibbered like mine when I tried

to pretend I lived down the road

from that movie set, cotton fields painted

on canvas, the loyal slaves hoisting

up sacks full of nothing

but chaff for the wind, that old

Hollywood hack, to keep blowing away.