It’s my favorite magic / trick: building a world out of language / or out of language unearthing another / world.
— Carlos Andrés Gómez, "What I've learned:"

Girls on a Train, 2024. Oil on linen panel. 20x25 cm. Mollie Douthit.

From the Current Issue

Watershed

I imagine March 16, 1991 when ticker tape / announced hers first & last; that I began the reluctant task of dispensing the / surprise of death into my fifteen-year-old imagination.

This Is My Face When You Won’t Stop Talking

Language & Identity: Nonfiction Guest Edited by Stevie Billow by Flávia Monteiro

I let go of the handle and slowly turned my head back at Pedro, to find thick melancholy already pouring out of his mouth in the form of a teenage love tale. What kind of person would interrupt a poor creature like this?

Like Mother

Nonfiction by Mukandi Siame

I will cook, clean, catch a bullet, and bring down the moon with more ease than I would hug Mother and tell her I love her. She must know that I do, right?

News from the Neighborhood

Poetry by Hayden Saunier

After all, the block’s a mix of old / and new and you never know what will return.

Sugartown

Fiction by Emma Sloley

When they heard her idea, the others had all lobbied to go to a casino instead, to Vegas or maybe Reno, but Glory reminded them she needed to stay within a forty-minute drive of the hospital, so they grudgingly gave in to her choice.

A Poet Asks a Painter

Conversation by Sarah Audsley and Mollie Douthit

I think it is crucial to my work that I see the joyful moments I have experienced during such a trying time. I believe my work often holds a bittersweet quality, but the paintings are nearly always about the good things in my life.

About Shenandoah

Reading through the perspective of another person, persona, or character is one of the ways we practice empathy, expand our understanding of the world, and experience new levels of awareness.

Recent Blog posts from the Peak

A stream surround by thick dense green foliage

Small Town Dispatches: Robin Gow

Special Features Editor Nadeen Kharputly chats with Shenandoah contributor Robin Gow about what it’s like to live in the small town of Breinigsville, Pennsylvania.

The book cover for Waiting For Something else. In the middle of the cover, a half eaten pudding cup sits on a table with three hands holding spoons taking a scoop out of the pudding. On the bottom left corner there is a blurb from Edmund White that reads, "Martin Cloutier understands that comedy- the searing real kind- begins in an honesty as painful for the reader as for the author."

Attraction in Truth: An Interview with Martin Cloutier

Shenandoah contributor Martin Cloutier discusses the interplay between gender and romantic attraction as explored in his debut novel, as well as his unflinching commitment to truth telling in his work, and the ways he achieves it. Cloutier’s flash fiction story “Punishment, Inc.” was featured in issue 63.1. Find it here.



novel cover for the island of lost things featuring a large black cat with a hand in its mouth on a yellow background

New Novel Q&A: The Island of Last Things

Contributor Emma Sloley talks to us about the release of her new novel, The Island of Last Things. Emma’s story “Sugartown” appears in our 75th anniversary issue.