Chairs and Windows, Sharpe-Walentas Studio, Brooklyn, NY (2024), Kristen Mills
From the Current Issue
Translating Mga Larong Pambata
My grandfather is the lone doctor in this mountain town. The day is infinitely / chambered into fifteen-minute intervals in his clinic.
Nocturnal Games
After she left the living room, he glanced at the wall clock. He had two hours to fulfill the mission before the dawn call to prayer.
Jab, Cross, Infidel
Maybe people box for the same reasons they join Sufi orders. To transcend their mortal bodies’ smallness. Find discipline, community, purpose.
A Poet Asks an Interdisciplinary Visual Artist: Kristen Mills
My work can fall into the surreal, like a dream logic, but I feel that my work is most effective, or the strongest, when logic is applied to illogical situations.
Ghazal in which I am read aloud until I tremble
My language has no borders. It tunneled through the floor / of heaven, humming, wet with sinew and syllable. Barakah.
Slowest Hunter
Talia reminds me the Match-Hunt is a chance to start a more authentic life, one far away from the fake glitz of rehearsals, wardrobe fittings, meet-and-greets, and shows.
About Shenandoah
Reading through the perspective of another person, persona, or character is one of the ways we practice empathy, expand our understanding of the world, and experience new levels of awareness.
Recent Blog posts from the Peak
Small Town Dispatches: Tabish Khair
Special Features Editor Nadeen Kharputly chats with Shenandoah contributor Tabish Khair about living in Hornslet, a small town in Denmark.
Conversations: "This Is My Face When You Won't Stop Talking" by Flávia Monteiro
Blog Editor Chase Isbell interviews Shenandoah contributor Flávia Monteiro about her creative nonfiction essay “This Is My Face When You Won’t Stop Talking” featured in Issue 74.1-2.
Books: What We've Become by darlene anita scott
Blog Editor Chase Isbell interviews Shenandoah contributor darlene anita scott on her poetry chapbook What We’ve Become, a collection about love.