Portrait of the artist speaking Viking

She did what we have all threatened to—I’ll beat
        my head against this windshield, just

watch me! I spotted the woman, parallel parking
        with gas-guzzlers honking, shrilling shut

up! shut up! I can’t fit! just before her forehead burst
        open. The smear on the windshield—

a Viking might have named it rage-blossom. And who
        hasn’t picked this blossom to pieces? Petal

after petal, the world loves me, the world loves me
        not. We all gaped at the bloody glass, in

thrall to her rage, in thrall to the Vikings who
        buried their dead under the weight of

mouth-snakes, within the language of the still-
        living. Our anger was their word for

grief and here’s where grief will get you: when
        the Viking queen’s lover died, she killed

herself as well as two hawks, five slaves, eight
        maids, four men, and her three-

year-old son. One serf, offered a spot on
        the pyre, said, let the hall-servants achieve

such honor, honor, of course, meaning just
        a good name. There’s a good name for

everything: this sky-candle setting, these fender-
        benders proliferating, even my own road-

rage. I’ll slash the neighbors, stick it to that brown-
        noser, sack the supply closet, burn that

paper-pusher alive. Some afternoons on the auto-
        sea, I plunder kennings and some afternoons

I am keening heart-sore too: I don’t fit. Some
        afternoons I speak Viking. I pick

a blossom to pieces.


Shelley Puhak is a poet and writer from Maryland. She is the author of two books of poetry, the more recent of which is Guinevere in Baltimore, winner of the Anthony Hecht Poetry Prize. Her poems appear in the Cincinnati Review, the Missouri Review, Verse Daily, and other journals and anthologies.