Volume 62, No. 1 of SHENANDOAH now online and free to all!

Readers can now open up our new issue and enjoy the art of Billy Renkl, as well as a whole book’s worth of good writing:

*Poems by Linda Pastan, Robert Wrigley, Lisa Russ Spaar, Margaret Gibson, David Huddle, Andrea Null

* the nine finalists for the 2012 Bevel Summers Prize in the Short Short Story, including the winning story “The Pointer” by Jim McDermott

* short stories on dealing with loss by Gilbert Allen, Marc Dickinson and others

*non-fiction, including a reminiscence of Bible camp by Jeanne Murray Walker and an essay on poet’s notebooks by David Wojahn

* reviews of Hilary Mantel, Yusef Komunyakaa, Claudia Emerson, Charles Frazier, Robert Olmstead and more

* a whimsical editor’s note about buckeyes, literal and metaphorical

In addition see our features, Poem of the Week and rotating quotations from the high and the low.


recent-meR. T. Smith has edited Shenandoah since 1995 and serves as Writer-in-Residence at Washington & Lee. His forthcoming books are Doves in Flight: 13 Fictions and Summoning Shades: New Poems, both due in 2017.

 

The Gloaming

I was recently reading Nightwoods by Charles Frazier when I stumbled upon a word that really stuck in my mind: gloaming. Frasier uses it as a possible option for a description of the state of nightfall, which the antagonist, Bud, is experiencing. Frazier writes, “It gets to a point of darkness where you don’t know what to call it. Dusk or Night…People used to have a word, gloaming, but that’s only a snatch of memory from a song.” I do not think I had ever heard the word before, at least not in a way that would have made it memorable, but this time it just resonated with me. I find myself watching for its appearance in the evenings. It seems I have a new compulsory desire to feel its manifestation.
It’s strange how that happens, when an author uses a word well and you just can’t stop thinking about it.  I later looked it up in the Oxford English Dictionary, but the somewhat stagnant definition of “Evening twilight” did not captivate me near so much as Frasier’s “snatch” of time between dusk and nightfall.  As I think it over, I probably have heard the word once or twice, but it took Frasier’s unique description to make it stick. There is something mysterious about the way he describes it. For instance his use of “people.” People is a very ambiguous term. What people? And from where? Perhaps it was the combination of the strange new word and the ambiguous one, but my mind immediately jumped to the faery people of old. It must have been the mystifying quality of the idea of a “gloaming” that entranced me, but I would have never have noticed that quality had it not been for Frasier’s vivid description.
Have there ever been any particular words that an author has brought to life for you in the past?